Surprise! More necklaces! The first one is with stabilized turquoise and freshwater pearls, double strands with sterling silver.
I really, really like coral - and sometimes the rougher it is the better it is. Of course these coral slices have a smooth polish to them, as do the rondelles, but they are so rugged looking despite that. I like coral that looks as though you just broke it off the reef yourself!
The rose quartz necklace has a great lampwork bead that is huge (from Connie at River Oaks II - she does super work!), but the focal is the very large pink, yes pink, turquoise nugget that is at the center. I don't know why I like such an ersatz thing, but I really do. Lots of sterling silver with this one, too.
For me, the real beauty of a necklace is that it usually doesn't get in the way of doing things throughout the day the way that a bracelet can. But I am a bracelet person through and through. Sometimes I have to stop and work on making necklaces - to match bracelets - or just to "even" out my inventory. I 've been working with coral and with turquoise so I incorporated both into the necklace that you see above. That's pink angelskin coral with some nice large stabilized turquoise nuggets that I've had, and of course, I had to add some lampwork beads. One of the problems I have with necklaces (that I don't with bracelets) is that I'm bothered that on many people the back of the necklace will never be seen.
The second necklace I'm temped to keep for myself. I adore lapis and the lapis in this necklace is especially good with lots of the glittering gold pyrite that I like so much. And while carnelian is great with lapis, turquoise is wonderful when paired with lapis. I've also used lots of vermeil because lapis and gold are just scrumptious!
Here is my overdose on yellow: yellow citrine, yellow lampwork beads with a creamy white, and yellow crazy lace agate which I love. Its wonderful swirls, patterns and colours are so beautiful that I like to play with them actually - trying to think of what I'll use them in. The yellow lace agate is so beautiful that I've been known to string some of just those gemstone beads and put them on my bedside table so that I can look at them. Okay, maybe that's weird, but they are that pretty!
In the last bracelet here, more yellow with just a touch of turquoise in the lampwork beads to punch up the yellow. More yellow crazy lace agate and also calcite beads. I really like calcite because it is the colour of clarified butter and is so rich that it is to yellow what rubies are to red.
I'll start with carnelian, and the wonderful faceted orangey carnelian nuggets that I mixed with a carved flower of carnelian, lampwork beads, sterling silver and a bit of turquoise. The second strand has little charms hanging at intervals from the second strand.
I also got some great tourmaline faceted nuggets and decided to use those with these boro lampwork beads and vermeil. The chain is 14 karat goldfilled, and the other gold accents are vermeil (24 karat gold over sterling silver).
I really love sunstone, and peach is just about my favorite colour, so of course, I'm always trying to get my hands on good sunstone. This bracelet has 3 strands (one is a sterling silver chain). The wonderful lampwork beads are by Irene Collier.
I've been working on many different things this week, but I am still entranced with the Babylon Collection and have been making drawings that I may experiment with later this week. The basis for this collection is my love of lapis lazuli - especially when it is paired with gold. The lapis lazuli one sees on the ancient art in Egypt (beards are often rendered in lapis in sculpture) mixed with gold is opulent, the way you imagine rich gold and gemstones when you're a child. The museum in Cairo is like being lost in a fairy tale. One gets the same feeling at the University of Pennsylvania's small museum when viewing the Middle Eastern art with its lavish gold and lapis from Mesopotamia.
I've been working with my favorite for jewelry this week: gold. Or in this case, vermeil (24 karat gold layered over sterling silver) or 14 karat goldfilled.
The bracelet that you see above is from my "Babylonian" collection. I call it that because of the bright gold, lapis, turquoise, and carnelian which all remind me of the Mesopotamian art from Biblical times. The gold used in those works of art, artifacts, and jewelry is as pure as it can be and still retain its shape so that it is a dark bright colour like vermeil. I also used a bit of wirework with 14 karat goldfilled wire for something just a bit different. I love the look of gold with gemstones although I know that sterling silver is what is currently in vogue. Of course, I've had to incorporate some of my favorite lampwork beads as well.
Another Babylon bracelet mixes just lapis and carnelian together. I love the colours in this carnelian, and the lapis I've gotten lately is of good quality with just the right sprinkling of pyrite (fool's gold) throughout so that it has the glittery look in the light that I admire.
I also love sunstone - what's not to love. It's a peachy to coral colour and it GLITTERS because of chatoyancy or Schiller effect. Very good sunstone is so expensive, but I got some okay sunstone (it has chatoyancy) and had to play with it a bit.To see this jewelry and more, go to Cluny Grey Jewelry or check for some on auction on Ebay under user id: chloemarie99 or do a search for Cluny Grey.
Another jewelry blog: If you are interested in Jewelry (yes, with a capital "J") check out Zsolt Balla's blog Modern Jewelry from Budapest, Hungary. It has lots of information on jewelry and jewelry styles and fashions.
I've been trying to work with different gemstones, since I am so bad about getting onto one and using and reusing it (I've been doing that with turquoise). In an effort to be a bit different, I've used tourmaline - not my favorite gemstone because good tourmaline is just too expensive, and I seldom see it cut in a way that I want to use and that I can afford to use as well. But I did get some pretty tourmaline from Spain with lots of pink in it, green, and very little black. I threw in some of the highest quality labradorite rondelles that I had (tons of blue flash) and used one of my labradorite nuggets with good blue flash, made three strands, braided them, and I'm pretty happy with the result.
I've been playing with turquoise as you can see, and here are some of the results of my play. I tried it with pearls (above) and lampwork beads, muscovite and lampwork beads, and even green quartz and lampwork beads. The lampwork beads are by Burt Gumeson and James Derrick Reeves, two of my favorite lampworkers. The pearls are freshwater, and the metal components, charms, clasps, beads, are all sterling silver. Hmmm, I'm going to have to put a picture of a turquoise bracelet with gold (or vermeil) because I think that while turquoise and sterling silver are classic, gold is fantastic with turquoise and gives it a richness that reminds me of ancient romantic places, Babylon, Sumer, Ur, Egypt.
This week I've been playing with pearls (if you can't tell). I especially love silver pearls, but except for the silver, I really didn't play with any of the coloured pearls I have. I really wanted to work only with my freshwater white pearls in different shapes and sizes, but as usual I got sidetracked because I think that both navy and black look so good with silver. and these silver freshwater pearls have a beautiful nacre, so it seemed a shame not to use them. The top bracelet features the very special lampwork beads that I don't get to buy that often, but that I love because of the way they are laced with metallic silver. I decided on 3 strands for the bracelet to counteract the delicacy of the pearls and to carry off the lentil lampwork beads, threw in some great "shadow" Swarovski crystal, and a lot of Karen Hill Tribes silver.
I've loved coral since about 1976 when I had a fabulous coral and navy necklace (the coral was a bright peach) that looked fantastic against a tan. Coral and pearls are classic and rather Victorian; throwing in the silver modernizes this bracelet quite a bit. I made a similar version with gold and 4 strands instead of 3.
And finally, pearls and... genuine sapphires! They are not gem-quality, of course, and they are opaque, but they look wonderful with white pearls and the ornate sterling silver beads and charms. I'm happy with the earrings also. 
I am constantly fixing on a colour and getting fixated! This week the colour was pink - or the pink tones. I got some new pink zebra jasper that actually has somewhat of a peachy tone to it, so I decided to match it with some of the pink Peruvian opals that I have that have more of a peach cast also. The real catalyst were these beads from Irene Collier (a lampwork bead artist) that are perfectly made. Then, since I was using pink anyway, I started looking over the lampwork beads and pulled out the rose quartz to go with a fabulous floral bead from James Derrick Reeves that I have been saving. Two strands later, I still was in a pink mood, so I decided to combine the pink Peruvian opal and the rose quartz with some great pink "Jewels" (lampwork beads from Burt Gumeson). Today I made myself go for the Indian agate, ocean jasper and aventurine (mostly greenish gemstones) just to make sure I didn't overdose on the pink!
The other purple stones include charoite, sugilite, crazy lace agate, and lepidolite. The sterling silver is from the Thai Karen Hill Tribes and from Bali.
I am a huge fan of gold, even though I know that sterling silver is the rage (but gold is coming back "in" as a fashion must). I had to post this bracelet because I was so happy with the way that it turned out. Wonderful borosilicate beads are alternated with the new copper coloured Swarovski rondelles; the gemstone beads are sunstone, a pale sunstone, but still with the telltale sparkle that makes sunstone such a beauty. The turquoise beads are lampwork and the gold is vermeil. Many people are unsure what vermeil is (pronounced vair - may). The base of vermeil is actually sterling silver; then the sterling is plated with 24 karat (usually, it can be a lower karat) gold. In the world of handcrafted jewelry, vermeil is often the alternative to using actual gold or base metal plated findings. First, the choice of findings in, say, 14 karat gold is extremely limited and prohibitively expensive. Even gold filled items, though a good choice, are hard to find. Vermeil, perhaps because its base is sterling presents a choice for quality, yet affordable, gold findings. With care (don't go swimming in it, take a shower in it, wear it non-stop for days) and proper storage (actually a baggy is great), it will look great for years and years.
I'm still using some Indian agate here, and some fancy jasper. The two lampwork beads are different but still in the same strong colour families. This time I used larger links and used just a half strand after finishing the first one. The charms are Indian agate and Karen Hill Tribes' sterling silver.
I love to work with purple (always - even though I don't wear purple clothes really). The large floral encased lampwork bead on the left is from James Derrick Reeves, and the lentil on the right is one of the new beads (and one I really like). I was going to add charms, but now I'm not sure. The chain has patterned oval links and I have fastened it in 2 places so that it has a scalloped effect. I've used fluorite, a purple fancy jasper rectangle, amethyst nuggets, and a purple crazy lace agate rondelle.
I have got to stop buying lampwork beads or I am going to be broke. But they are so enticing, even on an internet page. I like them best when they are combined with gemstones although later this week I'm going to start doing a few with just lampwork and Swarovski crystals.
Another stone for me to fall in love with! This time it's muscovite: a relatively soft stone but with great sparkle! And sparkle does it for me! In the bracelet above (if you're not familiar with the gemstone) the muscovite is the purplish stone with flecks; there are ovals and rectangles - all smooth. Oh, but that sparkle, like little pieces of glitter stuck beneath the surface! The colour of muscovite reminds me of biting inside a ripe plum (the colour - I'm not chewing on the muscovite). I really like this bracelet, and not just because of the muscovite. I like the faceted Cape amethyst nuggets, the half strand made of opal-lined glass beads, the little rectangular charm from the Karen Hill Tribes that hangs from it, and of course the lampwork beads: the larger by James Derrick Reeves and the smaller by Burt Gumeson (my 2 favorite lampworkers). If it doesn't sell (it's up for auction on Ebay this week), I'm thinking about keeping it for myself.
